THE MARRIAGE AT THE STATUE OF LIBERTY
A Modern Ballet with
Script & Score by Peter Dizozza (after Jean Cocteau)
Choreographed by Jamie McKenna for the EMIAJ Movement, LTD.
Created for The Brave Destiny Exhibition
Click here for the genesis of this project.
Performances: Friday and Saturday at 8.
October 10th, 11th, 17th and 18th, 2003.
The Williamsburg Art and Historical Center -- 135 Broadway c/o Bedford Avenue (by Peter Luger's) 718-486-6012
Relationships are like statues. They receive attention or collapse from neglect.
A surrealist theatre fantasy
celebrating everyday life while paying homage to its poetic mysteries,
with a script and score by Peter Dizozza, full of his favorite everyday themes and references to popular entertainment,
and with original choreography by Jamie McKenna performed by EMIAJ MOVEMENT LTD.,
created for the 2003 Brave Destiny Exhibition and inspired by "Les mariés de la Tour Eiffel," the surrealist ballet with dialogue by the French Poet/Filmmaker Jean Cocteau
When two members of neighboring cloisters fall in love, a Universal Life Church Minister directs their happy nuptial party to board a ferry to celebrate the ceremonies, sacred and profane, of marriage on Bedloe's Island on the former site of Fort Wood, within the torch of the Statue of Liberty.
The affianced couple shed their robes for the clothes of immigrants at the turn of the last century, greeting the torch bearing statue as their guide out from their old world to a new home in a welcoming new world.
They find the Statue closed to visitors. Only the outside grounds on the island are open.
After an oft interrupted ceremony, steeped in Hinduism, beneath the shadow of liberty, they separate from their party to explore the undersurface of the island.
Dusk falls and, during what must be acknowledged as a RARE lapse in security, the couple spends their first night on the island, alone as Lady Liberty herself, completes the ceremony.
The first movement piece: The Emigration
This piece illustrates the quintessence of the Statue of Liberty with its pilgrimage of expatriates to the America. The dancers represent both the vessel of conveyance and the new comers. As the piece evolves, the dancers begin to move independently. This progression symbolizes the diverse and abundant hopes, dreams and desires that fuel a sojourn to a strange land. When moving in unison, the dancers reveal the common impediments and apprehensions, as well as harmony shared by immigrants to liberty. As this is also true of marriage, this piece foreshadows the impending nuptials and the daunting task of merging two worlds into one in a way that will house the age old struggle to thrive as an individual while building a new construct of true liberty in wedlock.
The second movement piece: The Marriage Blessing Dance
At the command of Colossus, the Supplicants dance in joyful celebration of the marriage.
The third movement piece: The Nocturnal Fantasy
This piece depicts the wedding night thoughts of the new bride and groom. [The husband’s thoughts are depicted by the male dancers; those of the bride by the female dancers.] The Brides exude felicity for having been liberated from the search for a life partner. The Husbands dance in rapture having been liberated from their search to be loved. The Husbands & Wives dance synchronously, yet retain their individual liberty as their parallel commitments come to life
Lauren Amick (The Bride): Lauren is a native from St. Louis MO. Directly after finishing high school, she moved to New York and has recently graduated from the American Academy of Dramatic Arts. This is Lauren's New York City debut and she is originating the role of "The Bride." Her favorite roles include "Sissy" from A Piece of My Heart; "Susand" from Don't Drink the Water; "Carter" from Uncommon Women; "Kim MacAfee" from By Bye Birdie; and "Corey" from Only 17. Lauren wishes to thank God, her Mom, Dad and Champion.
Joseph Mulholland (The Groom): recently recieved hi B.A. in Theatre Performance
from Wagner College. He was last seen in a showcase performace at the John
Houseman Theatre. He is very excited about being apart of this production. .
Kate Murphy (Colossa).
Peter Dizozza (Colossus).
Peter Douglas (Vulcan). This is Mr. Douglas's first performance on any stage anywhere.
EMIAJ Movement Ltd.
Jaime Lyn McKenna, (Choreographer
& Artistic Director) graduate of Dean College, co-founded EMIAJ Movement
Ltd. in 2003 as the natural out growth of twenty years of extensive and eclectic
dance studies which include technique at Martha Graham Dance Studio, Alwin
Nicholia Studio, Erick Hawkins Studio, Broadway Dance Center (master classes),
Frank Hatchet, Makumi Sakata, Sue Samuel and Bill Hastings, Denise Jefferson and
Savion Glover. Ms. McKenna
began her dance training at the age of three and has won competition accolades,
a complete list of which is too numerous to mention. Among her titles are Starpower Regional & National
Champion soloist in Lyrical, and competitor in Ballet, Tap & Jazz; American
Dance Spectrum Regional Dance Competition Champion in Ballet, Tap & Jazz,
choreographer for the Brookhaven Theater Dance Guild “DanceSpectrum”; Dance
Educators of America Regional Competition champion in Ballet, Tap & Jazz and
most recently, the 2003 Outstanding Choreography Award at the New York Dance
Festival. Ms. McKenna’s
desire to form her own professional dance company seems that natural next step
in a fifteen year career as a professional dance teacher with some of the most
notable studios on Long Island, among which include Backstage Studio of
Dance, Pat Hannafin’s Dix Hills Dance Studio, Backstreets Dance Center,
Re-dancers Dance Studio and Dance Elektra.
Brave Destiny challenges EMIAJ to portray an eclectic and fantastic
expression of the universal quest for love and acceptance in the face of
daunting obstacles through contemporary movement .
Alison T. Deruga, (Smithtown,
New York) Alison was a high school dance major and earned a spot on the Dean’s
list at Suffolk Community College. She
is currently studying Business Technology at SUNY Farmingdale.
Ms. Deruga has extensive experience in choreographing in all genre` of
dance for children at numerous local venues and dance schools, including Backstreets
Dance Center. She came amply
prepared to join EMIAJ, having over 10 years experience in ballet, jazz, lyrical
and extensive training in African, Modern and tap.
Eden Lily Drasser (Bellport,
New York) Ms. Drasser has been dancing since she was two. She studied at Stage Door in East Patchogue and Backstage
Studio of Dance in Suffolk County. She
is accomplished in lyrical, jazz, tap, ballet, Pointe`, and Modern.
Ms. Drasser has won two gold medals in modern dance competition and
continues to expand her dance education at Broadway Dance Center.
Shea Drasser (Bellport,
New York) Ms. Drasser began dancing when she was five years old.
She studied at Stage Door in East Patchogue and Backstage Studio of Dance
in Suffolk County. She is accomplished in lyrical, jazz, ballet, Pointe`, and
Modern. Ms. Drasser augments her
dance ability with gymnastic and twirling talent and has successfully competed
in numerous dance competitions. From
1988-1991, Shea competed regionally and nationally for both the twirling team
and as a solo artist.
Theresa A. Jesinger, (Stony
Brook, New York) Theresa earned her bachelors in Fine Arts at SUNY College at
Brockport in 2003 where she was also a member of the Brockport Dance Team.
She was seen in A Fall Through Time (Choreographed by Susanna Newman,
2003) and Assuage (choreographed by O’Neill Pryce, 2002).
Ms. Jesinger has been dancing since early childhood at Backstage
Studio of Dance. She has been
trained in jazz, lyrical, hip-hop and has concentrated her studies extensively
in ballet and Modern. She is
presently working with Dance Jock Productions, a D.J. company based in
Brentwood, New York.
Erin Judd, (Riverhead,
New York) Ms. Judd began dancing at the age of five at Redancers Dance Studio
and has studied ballet, tap, jazz, lyrical, modern, Pointe`, and hip-hop.
She has an extensive continuing dance education that includes numerous
workshops and classes at many prestigious venues. Ms. Judd has won High Silver
and Gold medals at the prestigious Starpower, Dance Olympus and Footloose dance
competitions. Most recently, her
choreography was made a part of three Fresh Dance shows at SUNY New Paltz.
Erin currently teaches dance at Redancers Dancers Studio and Stars on
Stage Dance Academy.
Kimberly Kwasna, (Riverhead,
New York) Kimberly majored in dance at Hofstra University and was on the Deans
list for eight semesters. Ms.
Kwasna’s impressive list of dancer performance credentials includes numerous
2002 performances as a dancer for recording artist Renee` at various venues in
New York. Ms. Kwasna was a member of Sheila Kaminski & Dancers (2001) and
the prestigious Joan Eileen Murray Dance Company (1999-2000).
A brief list of her credits includes Choreographic Offering (by Jose`
Limon, reconstructed by Alice Condodina, 2003) Veil of Plenty (choreographed by
Peter Pucci, 2002), Rhythm Walkers (choreographed by Anita Feldman, 2002),
Sospiri (choreographed by Donald Mahler 2002), Night Flight (choreographed by
Karla Wolfangle, 2002). Additionally, Ms. Kwasna’s choreographic work has
been seen in various community theaters and high schools on Long Island in more
traditional musicals such as Dream Girls, Crazy for You, No Frills Review, A
Chorus Line, Annie, Footloose and Alice in Wonderland.
Elyse Madsen, (Amityville,
New York) Elyse’s passion for dance is supported by her extensive and
impressive movement and dance education. She
was a dance major at Hunter College and has a BFA in Arts Management with a
concentration in dance. As a member
of the Long Island University, C.W. Post Dance Company, she has performed
at The Clark Theater, Lincoln Center [Choreography of Ivy Baldwin &
Maureen Mansfield], the Tilles Arts Center and as a main stage performance
at the LIU Little Theatre. Ms.
Madsen has also been seen at the Sylvia and Danny Kaye Playhouse as an
ensemble member of the Hunter College Dance Company.
Jeanne Marie Petruzzi, (Port
Jefferson Station, New York) Jeanne’s diverse dance talents combine expertise
in the traditional dance genre` of tap, jazz, ballet, hip-hop and Modern with
award winning stylistic grace as a champion cha-cha, rumba and samba ballroom
dancer. Ms. Petruzzi has
co-choreographed and performed in Married in the Suburbs (2001) and has
been seen in a variety of venues as a member of the prestigious Odyssey Dance
Company (Ballroom). She has
studied at Backstage Studio of Dance and continues her dance education at
Broadway Dance Center. Ms.
Petruzzi teaches dance at Dance Elektra and has taught at Port
Jefferson Dance Academy.
Mark Petruzzi, (Port
Jefferson Station, New York) Mr. Petruzzi is a member of the prestigious Odyssey
Dance Company (Ballroom) and has been seen at the Gateway Playhouse in
Footloose. He also performed
and co-choreographed Married in the Suburbs.
He has also performed Dancesport Challenge at Madison Square
Garden. Mr. Petruzzi’s credits
also include a promotional piece for Japanese television and performing a piece
by Geoffrey Doig Marx at the 2002 Elan Awards honoring Ann
Reinking. Mr. Petruzzi has
taught dance at many of Long Island’s most prestigious venues.
Jimmy McKenna: special effects lighting
Linda McKenna: costumes
Linda Drasser: prop sculpture.
All inquiries regarding EMIAJ Movement Ltd. may be directed to Barbara M. Weltsek, Executive Producer at IBMWESQ@aol.com
THANK YOU, SPONSORS: Tony's Barge Service, Inc., Spins Academy of Gymnastics
THANK YOU propmakers Stiegelbauer
Associates Inc. for your donation of the statue base.
New York Times October 10th, & 17th, 2003: A selective listing by critics of The Times of new or noteworthy opera, classical music and dance events this weekend in the Northeast.
SURREALIST DANCE AND THEATER. The Brave Destiny festival of Surrealism, Magic Realism and other fantasy art forms will include two shows featuring dance. The first is "The Marriage at the Statue of Liberty," described as a modern ballet with dialogue. The choreographer is Jaime McKenna, the performers the Emiaj Movement Ltd. group. Tonight and tomorrow night (and next Friday and Saturday) at 8. And Zach Fuller will perform "Surrealism Butoh Dance." Sunday night at 8. Williamsburg Art and Historical Center, 135 Broadway, at Bedford Street, next to the Williamsburg Bridge, Brooklyn (718) 486-7372 or www.wahcenter.org. Suggested admission: $15 (Dunning).
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